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July 19, 2023 at 1:00 am. "Peel slowly and see," reads the tiny text pointing to the tip of a bold yellow and black banana peel. Underneath the sticker, at least on the original copies, is pink, fleshy fruit. This phallic imagery and tongue-in-cheek humor—a signature of Andy Warhol's aesthetic brand—make up an iconic cover artwork.


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Andy Warhol's cover for The Velvet Underground and Nico, as seen in a 2016 exhibition about the band held in Paris. Photo Eric Feferberg/AFP via Getty Images JPEGs of the cover for The Velvet.


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The "banana" is a vernacular label for Asian Americans—yellow on the outside and white on the inside—that describes those who either disguise their identity willfully or have fully assimilated to the mainstream culture.


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Andy Warhol's banana on the cover of the 1967 Velvet Underground album is one of his most famous paintings. Warhol designed a graphic for the album cover that depicted a banana with a yellow skin covering the pink skin on top, as well as the phrase "Peel slowly and see." Warhol, who had a hand in the album's creation, produced the graphic.


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Andy Warhol's iconic "Campbell's Soup Can" painting shocked the world when it sold for $11.7 million in 2010. This record was later broken in 2019, when his banana painting entitled "Do It Yourself (DIY)" sold for a whopping $18.2 million. This impressive price tag made it one of the most expensive pieces of art ever sold at the time.


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Warhol was a big fan of bananas. He took Polaroids of them. A self-portrait from 1982 shows him eating one. He even filmed drag superstar Mario Montez licking one not once, but twice - first in.


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Andy Warhol (1928-1987) Banana screenprint in colors with collage, on wove paper applied to drawing board, circa 1966, stamp-signed and numbered 'ARTIST PROOF # 4' image: 37 x 17½ in. (940 x 450 mm.) sheet: 40¼ x 29¾ in. (1020 x 760 mm.) Provenance. Leo Castelli, New York


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Bananas 22 available In 1967, Andy Warhol designed one of the most iconic album covers of all time, featuring a simple yellow banana on the sleeve of The Velvet Underground's debut record.


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When Andy Warhol met Lou Reed in 1966, the two forged a symbiotic if wary relationship. Each possessed something the other wanted. The enigmatic white-haired painter had established himself as the reigning king of the Pop Art scene with his Campbell Soup Cans and Marilyn Monroe silk screens.


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Warhol served as the manager and patron saint of the now iconic art rock band that surprisingly sold just 30,000 albums in its first five years. The original album cover allowed fans to peel back the banana skin as a sticker, revealing the fruit of a nude-colored banana underneath.


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For a big chunk of Andy Warhol's life - from his 1949 arrival in New York through the early 1960s, just before he achieved celebrity status as America's pop art poster boy - he kept the lights.


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We will be exploring how pop-artist Andy Warhol collaborated with the Velvet Underground to create the iconic banana for their debut album's front cover. We.


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Art News Analysis: Andy Warhol's Banana, 1967 Andy Warhol, a visionary artist synonymous with the Pop Art movement, not only revolutionized the art world but also made an indelible mark on the music industry through his innovative album cover designs.


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Andy Warhol Banana (F. & S. 10), 1966 Screenprint in colors in two parts, the banana peel screenprinted on laminated plastic, once removable (as issued), the banana screenprinted on styrene, with full margins. 22 1/2 × 50 9/10 in | 57.2 × 129.2 cm Bidding closed Get notifications for similar works Create Alert


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Andy Warhol Follow Banana Design And Decorative Arts LED neon 24.50 x 10.00 in 62.2 x 25.4 cm This piece comes with a Certificate of Authenticity. ©/®/™ The Andy Warhol Foundation for the Visual Arts, Inc. $349 or as low as $31/mo LEARN MORE Add to cart Details Additional Information courtesy of Yellowpop


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The Velvet Underground & Nico (not bebop) is the debut studio album by the American rock band the Velvet Underground and German singer Nico, released in March 1967 through Verve Records. It was recorded in 1966 while the band were featured on Andy Warhol 's Exploding Plastic Inevitable tour.